Blue Floating Pyramids

{I’ve reposted this article, as it is appropriate right now for people to learn about, if they wish.}

Here’s a a great photo of floating blue pyramids. I wrote in my Sixth Sense book the mathematics of a vision I’d seen that describe the geometry of a multi-dimensional hyper-space.

Interestingly, it is also two pyramids base-to-base as pictured here, with these floating entities in the picture.

Chapter 13 of Sixth Sense is a bit technical but you have a taste for that kind of stuff you’ll enjoy it.

SIXTH SENSE – CHAPTER 13

26 DIMENSIONS OF THE ROTATING OCTAHEDRON AND THE ZERO POINT

I recently had a vision in which an acrobat was doing somersaults around a wall, one that was free-standing. In the diagram below, you’ll see that the acrobat was to the west of the wall. On the first somersault, he jumped from the west to the south, then he jumped to the east, then to the north and back to the west. And his last jump was all along the whole length of the wall from west to east. Five moves in all.

DIAGRAM #4:
The acrobat somersaults around and along the wall

I realized that another acrobat could have started from the north and gone the opposite way, jumping first to the east, then to the south, and then over to the west and back to the north. Then he could jump over the wall and end up at the south. Each acrobat could make five continuous maneuvers without going back on himself (backward in time), and without duplicating the jumps the other acrobat makes; as the two acrobats are, of course, going around in different directions.

DIAGRAM #5:
The acrobats’ jumps describe a square and its diagonals

I realized that the jumps around the wall describe a square and its diagonals. I came to the conclusion that the vision had to do with the previous one I’d had about the four forces of nature and the mysterious fifth force. Now, even if you’re not mathematically inclined, you might want to follow along anyway, as the math involved will show you a symmetry that describes an interesting feature of the zero point, the gateway to other worlds that I discussed before.

Not long after the first vision, I had another. The corners of the square were assigned numbers. The south corner was given the number 60, the west 33, the north 80, and east was 170+ something. It all moved so fast that I didn’t quite get the last digit of the last number. I wondered what it meant, and what the last number might be. I started tinkering with the numbers, adding the three numbers that I was certain of; and I saw that south, west, and north added together come to 173 (60 + 33 + 80 = 173). I realized that 173 was the value assigned in my vision to the eastern point of the square. Now I had coordinates for my jumping acrobats.

DIAGRAM #6:
The coordinates I was given for the square

I wondered what to do with the numbers that I’d been given; I added and subtracted them to see what they might mean. I went through various permutations, and eventually I came to one that looked promising. I subtracted east from north (80 – 173) and got -93, and I then added south to west (60 + 33) and that came to +93. Adding north (80) to west (33) equals 113, and subtracting east from south (60 -173) equals -113. Then I added north (80) to south (60) and got 140, and I subtracted west from east (173 – 33) and also got 140. You can see from Diagram #7 on the next page that to my amazement, there is a perfect plus-minus, mirror like symmetry between the opposite sides of the square once the various coordinates are subtracted or added together. And the two values for the diagonal are 140.

DIAGRAM #7:
The strange plus-minus mirror symmetry of the square

I became quite excited when I realized that the coordinates I had been given in the vision weren’t arbitrary; they were there to tell me something. While pondering on it, I got a hunch to convert the 2-D square into a 3-D pyramid. I saw that if you mentally picked up the middle of the square where the diagonals cross at the 140 coordinate, it forms a pyramid with five points. The top of the pyramid I have marked “Apex A.”

DIAGRAM #8:
The 2-D square becomes a 3-D pyramid

Now remember, one acrobat starts in the west and jumps first to the south and then continues around counterclockwise, arriving back at the west; and he then makes his final jump along the wall from west to east. And the other acrobat starts at the north, jumps to the east, and goes clockwise round the square, finishing up with a jump over the wall from north to south. So you have 10 (5 x 2) possible jumps or rotations. Of course, you could start the first acrobat at the east instead of the west, and have him jump counterclockwise, and the second acrobat could start at the south instead of the north. But that would not give you a different result; you would still only have ten jumps total. I realized that the acrobats can’t jump backwards, as that would mean going backwards in time. So, for example, an acrobat can’t jump from east to south and suddenly back to east.

I read Mishio Kaku’s book Hyperspace, in which he talks about 10 dimensions of reality, and a rotation of those 10 dimensions in hyperspace, he says, describes a possible 26 dimensions. So I began thinking about the missing 16 rotations or dimensions in my vision of the square that had now become a pyramid. Remembering that I’ d seen the spirit worlds as mirrored, I suddenly realized that there had to be another pyramid on the bottom of the first one, its mirror image. So now I wound up with an octahedron – an eight-sided geometric shape made up of two pyramids that share the same floor or base (see Diagram #9). I marked the apex of the bottom pyramid “Apex B.”

DIAGRAM #9:
The second mirror pyramid creates an octahedron

If the acrobats can make ten jumps around the wall, which now, of course, is the floor of the two pyramids, and those ten jumps occur in the top pyramid, then there would be the same number of rotations (jumps) in the bottom pyramid. So now we would have a total of 20 rotations or dimensions, for example. Now here is where the astounding beauty of this vision and its mathematics come into play. It’s maybe a bit complicated for some to follow, but if you can endure it to the end, it will deliver you at the zero point, the gateway to the other worlds.

When the acrobat jumps from west to south (60), to east (173), to north (80), and back to west (33), and he then jumps along the wall (140) across the diagonal, which is now the diagonal of the square floor, he goes through rotations that total 486 (60 + 173 + 80 + 33 + 140 = 486).

And when the other acrobat jumps from north to east to south to west and back to north, he finishes with a fifth jump, along the north-south diagonal. Those moves also add up to 486. Remember that the two acrobats can perform five moves twice in the top pyramid (ten rotations), and they can do the same five moves twice in the bottom mirror pyramid. So there is a total of 20 jumps or rotations. So adding that up comes to 60 + 173 + 80 + 33 + 140 x 4 = 1944. Expressed more simply, it’s 486 x 4 = 1944. The acrobats make 20 jumps for a 1944 total, and so you could say that 20 dimensions/rotations = 1944.

But we are still 6 rotations short of the 26 dimensions/rotations we’re looking for. After pondering a while, I realized that if you convert/invert the two pyramids that make up the octahedron so they swap positions – basically you have to turn them inside out and outside in – you get six more dimensions. Before you start banging your head on the wall wondering what the hell I’m talking about, let me reassure you that there is a simple way of visualizing it.

You have to imagine that in Diagram #9, the point marked “west” travels along the diagonal of the pyramids’ floor all the way over to east, taking all its connecting lines with it. And east travels all the way over to the west doing the same. So in effect, west and east swap positions, so the far left-hand part of the drawing of the pyramids swaps places with the far right-hand part.

Simultaneously, south travels to north along the diagonal, and north travels to south. They also take their connecting lines with them. So now you have four more moves or rotations. Adding those 4 moves to the 20 that we have already makes 24. But we’re still looking for the last two moves, as we need to end up with 26.

Of course, what happens is, the two apexes that I have marked A and B also swap positions. Apex A travels down through the zero point in the center of the floor of the pyramids, all the way to B. And Apex B rises through the zero point where the diagonals cross to the former position of Apex A. Once that happens, all the points of the octahedron have changed positions with their opposites. That’s what is meant by a conversion and an inversion. You’ll notice how the outside of the top pyramid becomes the inside of the bottom one, and the inside walls of the bottom pyramid turn inside out to become the outside walls of the top one (see Diagram #10).

DIAGRAM #10:
Both pyramids swap an their positions

In such a rotation, the two pyramids act as mirror opposites of each other. It is a binary system, and it’s a mirror image. When the octahedron is in its normal position with Apex A at the top and Apex B at the bottom, we could assign it the number one. And when all the points of the two pyramids collapse to the center of the floor (the zero point), the octahedron momentarily disappears into a singularity (0). It goes into a void, the zero state. So the first half of the conversion/inversion of the two pyramids is described as the ratio of 1:0.

When all the points then emerge from the zero point in the center of the floor and they complete the second half of their journey to the opposite positions, we could say that the octahedron is in its minus state (-1). The second half of the conversion/inversion starts with every point at the center of the floor at the singularity, the zero point (0); and the movement ends with Apex B at the top and Apex A now at the bottom. Of course, east has gone to west and south to north, etc. So the octahedron has flipped from a zero condition (0) to its mirror state -1, which is its binary opposite expressed as 0:-1.

You’ll remember that I said that up the near-death tube there is a rotation, which causes a mirror twist as you pass it, so at the other end of the tube you would find yourself in an opposite mirror world. Well, that is what the two pyramids in Diagram #10 have just done. I also said that at the point of exiting from the body in an out-of-body experience, you black out, as I did walking through the forest when I flipped out of my body. I think that as one makes the transition out of the physical via death, or in a near-death experience, or in the OBE state, one passes through the zero point singularity, which is a void (0) in the middle of the pyramids’ floor. Hence, the momentary blackout.

I came to think that the two pyramids of the octahedron, which convert and invert, describe our physical reality and its relationship to the mirrored spirit worlds. The rotating octahedron is a map of the journey up the near-death tube to the worlds beyond. I also discovered that, in fact, an octahedron with these particular coordinates would not exactly be a pyramid joined to another pyramid, as in the diagram. The shape of the octahedron would be a bit stretched out, with one long side in the direction of east (173). But it is easier to look at it as two pyramids for now, and it makes no difference to the calculations, as the coordinates are not a measure of distance. Rather, they are positions on a map – in the same way that one might use coordinates to express the position of Chicago in relation to Houston, L.A., and New York.

I wanted to see what the final mathematical total was for all the 26 rotations, so I tinkered with the figures once more, and something really astounding came to me.

In addition to the 20 jumps or rotations the acrobats make, you have to add the rotations that occur when the pyramids of the octahedron turn inside out and outside in. So west travels along the diagonal to east (140), and, of course, east goes to west (140); while north travels to south along the pyramid’s floor (140), and south goes to north (140). Those four movements of 140 each come to 560 (140 x 4 = 560). So 560 has to be added to the previous total of 1944. Now we’ve got 2,504, and a total of 24 rotations so far.

Next, I had to work out what the value was for the journey that Apex A makes going to the position of Apex B. And that, of course, would have to be doubled as B also goes up to A’s position. I discover that the value of the rotation as Apex A goes to the center of the floor is 50. Then it travels through the floor to the opposite position of Apex B. So the total journey for Apex A going to the position of Apex B is 100. Of course, Apex B does the same as it travels up to A. So we now add 100 twice (100 x 2 = 200) to the total, and we get a grand total of 2,704 (2,504 + 200 = 2,704).

Therefore 2,704 is our magic number, which in this case describes all the 26 rotations – the ones our two acrobats can make, and the rotation of the two pyramids converting/inverting as all their points change places. The square root of 2,704 is 52 (52 x 52 = 2,704). Since there are two pyramids, you have to divide the square root 52 by 2, and so you end up with 26.

So, 2,704 is the magic number of the octahedron in Diagrams #9 and #10. That describes 26 dimensions or rotations. After I saw the vision of the acrobat jumping around the wall, later on I was given the mathematical coordinates in the second vision. I came to see that the octahedron and the various numbers assigned to the points west, south, east, and north describe the potential 26 dimensions of hyperspace in which we humans find ourselves and the mirror worlds of spirit opposite us.

Remember, I said in chapter 2 that the subconscious is also in the mirror worlds. So you could say that we are in the first octahedron (Apex A up and Apex B down [Diagram #9]) when we are in our intellect, and we are in the other version (Apex B up and Apex A down [Diagram #10]) via our subconscious. So the relationship or rotation between the intellect and the subconscious is also a binary system 1:0 and its mirror opposite 0:-1.

One might make a leap of faith and say that the universe and its rotating 26 dimensions, and our human consciousness (the waking intellect plus the subconscious mind) are one and the same thing – meaning that reality and thought are one and the same. The paradox of quantum physics is that a particle only becomes real once you observe it. So there is an obvious link between the mind and reality at a quantum level, anyway. I’d guess that the mind and the solid particle are in, or they are part of, the same wave-field; possibly they are two versions of the same thing. Perhaps there is only consciousness in the universe, and the solidity of parts of our universe is a just an effect that occurs when energy flips into this dimension. So as the octahedron flips in and out of its two versions, it is moving through a solid version and a nonsolid version, back and forth. I find it very interesting that many UFO reports describe the crafts as solid, and radar returns seem to confirm that. Then suddenly the UFO flips to a different frequency, and it performs impossible feats, like dividing in two, which indicates a nonsolid state. It’s also interesting that many witnesses report hearing a distinct hum as the craft fly by.

Pythagoras talked of the music of the spheres. He said that the universe is formed from numbers, numbers govern the way planets orbit, and musical notes also follow a mathematical sequences. That is perhaps why music induces an altered state of consciousness. We emotionally recognize an intrinsic mathematical formula within the structure of music that is very dear to us. It describes a cosmic order that is imbedded subliminally into our comprehension of things. Musical notes as numbers are parts of the symmetry of the inverting/converting reality in which we live. A note is a number. A mantra is a number. A prayer is a series of numbers. It’s all part of one bloody marvelous all-encompassing simple formula. The square root of 2,704 divided by 2 comes to 26!

My pal, author Martin Wetherill, was driving along north of Sydney, from Dee Why to Manly. He was playing a cassette tape of Phillip Glass’s sound track to the movie Mishima. He’d just come from a workout at a gym, so he was relaxed and slightly tired. The music put him into a euphoric state, and suddenly, with no volition of his own, his etheric detached from his body and rose up through the roof of the car. He found himself slightly behind the car at a height of about 20 feet, trailing behind it like a kite.

His first reaction was, Isn’t this fantastic, but moments later he looked down and realized he was the man below driving the car. He went through an extraordinary moment of confusion and panic. He could not comprehend how he was hovering above the car and still driving it. He remembers quite clearly thinking, If I’m up here, who is driving down there? He had to force himself to reenter his body, fearing he might crash if he didn’t. In fact, his mind/body was fully in control of the car, while Martin was temporarily in his other vehicle, the out-of-body one.

Martini, as his friends call him, says that without a doubt it was the music that flipped him out. There was some resonant frequency in the piece that his inner-self responded to. Jim Morrison sang, “Break on through to the other side.” Maybe the Doors intuitively knew the secret code.

This idea of a hidden frequency takes us back via a long and circuitous route to one of the desires I have for this life, which is to discover the sacred hum. You’ll remember I said that I think it’s in F-sharp. I am sure the resonance of the hum flips you into your nonsolid state, the etheric state.

Meanwhile, we have the formula and coordinates that describe the rotation through the zero point to the mirror worlds. So perhaps now we can just use those coordinates to flip ourselves through the floor of the pyramids to experience those worlds. That would bring a technology and a new sophistication to the sixth sense not seen before. You can see why I tried to etherically turn myself inside out. I only tried it once and I messed it up, but I’m sure with a little modification, it might work very well. Meanwhile, if you need a boost in penetrating the zero point, I’ve put a special exercise with a couple of mirrors in the Appendix. It will help you visualize the zero point; it’s easy to rig up, and it should help you to no end.

Once we have the exact sound of the hum, and once we discover how to use it, we’ll add in the mathematical coordinates of the octahedron, and we’ll be able to flip in and out of this reality with ease. Maybe it’s just a matter of thinking about the numbers as one enters a trance state. Anyway, in time, we’ll perfect the method, and we’ll discover more and more about the other words, which will impact us. We’ll see the God Force on a regular basis, and we’ll also see the hellish worlds; and once people see those worlds even once, they will straighten up double quick.

So the answer to the troubles of the world could be just the simple sound of a hum on a cassette tape and a bit of mathematics, which flips one over to the spiritual mirror state. Suddenly violence, the rise of fascist sentiments, the threat of ecological disasters, and the other ominous portents of this age will melt into the woodwork. People will understand things in a different light, and we’ll live to see the sixth sense triumph, as it establishes a real world order – a kind and spiritual one.

Onwards and upwards. Or perhaps I should say, inwards and outwards. And don’t let the suckers grind you down.

Bye for now – Stuart